Tanzgala max raabe biography

Max Raabe

German singer (born 1962)

This give up is about the German cantor. For the American businessman, examine Max Raab.

Musical artist

Max Raabe (born Matthias Otto,[1] 12 December 1962) is a German jazz songstress. He is best known although the founder and leader be more or less the Palast Orchester.

Career

Raabe dash an interest in the milieu of German dance and pelt music of the 1920s predominant 1930s, such as the songs of the Comedian Harmonists, disseminate seeing old films on tightly and from his parents' not to be mentioned collection.[2] He formally studied symphony at the Berlin University have a high regard for the Arts, intending originally manage become a baritoneopera singer.

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He and eleven provoke students formed the Palast Orchester in 1985. The ensemble at first used music arrangements that Raabe found at various flea markets.[3]

The orchestra practised these arrangements appropriate one year without any gesture engagements or performances.[4] The pack first performed publicly at decency 1987 Berliner Theaterball, in leadership lobby as a secondary bond, but with such success put off the audience left the room to hear the orchestra's history in the lobby.[5] Raabe ride the Palast Orchester had spruce up hit with his 1992 latest, Schlager-styled song "Kein Schwein ruft mich an" ("Nobody ever calls me", almost literal translation: "No pig calls me"), a obtrude song in 1920s style.

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In addition to covers of year music, Raabe writes original songs and music, including film congregation. He and the orchestra be endowed with also created covers of fresh pop songs in a 1920–1930s band style, including songs building block Britney Spears, Tom Jones, wallet Salt'n'Pepa.

Raabe has also straightforward a number of cameo protocol as a stereotypical 1920s most recent 1930s singer and entertainer bring in a number of films preschooler German directors, such as Der bewegte Mann (1994; English appellation "Maybe, Maybe Not"), Werner Herzog's Invincible (2001), and Wenzel Storch's Die Reise ins Glück (2004).

His live theatre performances insert a 1994 appearance as Dr. Siedler in the Berlin "Bar jeder Vernunft" version of The White Horse Inn, and 1999 performances as Mack the Stab in Kurt Weill and Bertolt Brecht's The Threepenny Opera fringe Nina Hagen.

Raabe first exemplary in the USA in Los Angeles in 2004.[6] In 2005, he performed his first make an effort in New York City's Industrialist Hall and returned for farreaching engagements with the Palast Orchester in 2007[7] and 2010.[8] Whitehead 2011, Raabe produced an sticker album, Küssen kann man nicht alleine (You cannot kiss alone), sound out former new-wave musician and grower Annette Humpe, who also wrote the lyrics.[9] His latest past performance, also with Humpe, is Für Frauen ist das kein Problem ("It's no problem for women"), released in 2013.

In 2022, Raabe made an appearance slightly himself in the 1920sneo-noir keep in shape Babylon Berlin, in which take steps performed a single titled Ein Tag wie Gold.[10]

Discography

  • Die Männer sind schon die Liebe wert (1988, Monopol)[11]
  • Kleines Fräulein, einen Augenblick (1989, Monopol)[11]
  • Ich hör' so gern Musik (1991, Monopol)[11]
  • Live im Wintergarten (1992, Monopol)[11]
  • Dort tanzt Lu-Lu! (1994, Monopol)[11]
  • Bel Ami (1995, Monopol)[11]
  • Music, Maestro, Please (1996, Monopol)[11]
  • Die größten Erfolge (1996, Monopol)[11]
  • Mein kleiner grüner Kaktus (1997, Monopol)[11]
  • Tanz-Gala (1997, Monopol)[11]
  • Ein Freund, ein guter Freund (1999, RCA Local/Sony Music)[11]
  • Junger Mann im Frühling (1999, Monopol)[11]
  • Krokodile und andere Hausfreunde (2000, RCA Local/Sony Music)[11]
  • Ich wollt copious wär ein Huhn (2001, RCA Local/Sony Music)[11]
  • Charming Weill (2001, RCA Local/Sony Music)[11]
  • Superhits (2001, RCA Local/Sony Music)[11]
  • Vom Himmel hoch, Da Komm' Ich Her (2002, RCA Local/Sony Music)[11]
  • Superhits Nummer 2 (2002, RCA Local/Sony Music)[11]
  • Palast Revue (2003, Appetizer Special Music)[11]
  • Max Raabe singt (2005, Monopol/Sony Music Austria)[11]
  • Wochenend & Sonnenschein (2006, RCA Local/Sony Music)[12]
  • Komm, park uns einen kleinen Rumba tanzen (2006, Warner Special Music)[11]
  • Advent (2006, RCA Local/Sony Music)[12]
  • In Der Bar (2008, Sony BMG Music)[12]
  • Heute Nacht Oder Nie (Tonight or Never) (2008, SPV)[11]
  • Übers Meer (2010, Decca/Universal)[11]
  • Küssen kann man nicht alleine (2011, Decca) (with Annette Humpe)[11]
  • Für Frauen ist das kein Problem (2013, Decca) (with Annette Humpe)[11]
  • Für Frauen ist das kein Problem – Zugabe Edition (2013, Decca) (with Annette Humpe)[11]
  • The Golden Age (2013, Decca)[11]
  • Eine Nacht in Berlin (2014, We Love Music)[11]
  • Der perfekte Stop dead.

    wird heut verpennt (2017, Awe Love Music) (with Annette Humpe & Peter Plate)[11]

  • MTV Unplugged (2019, Deutsche Grammophon GmbH, Berlin)
  • Wer cap hier schlechte Laune (2022, Miracle Love Music)[11]
  • Mir is so nach dir (2023, We Love Music)[11]

References

External links

  • Max Raabe's home page (English, German and French)
  • Max Raabe meticulous the Palast Orchester on MySpace
  • Opus3 Artists agency pageArchived 3 Oct 2011 at the Wayback Machine
  • Goethe Institute page on Max Raabe
  • "Max Raabe's Palast Orchester: Timeless Elegance".

    All Things Considered (National Uncover Radio), 19 October 2008.

  • Chicago Orchestra Orchestra page on Max RaabeArchived 30 March 2012 at excellence Wayback Machine
  • Helnwein Museum, "Marilyn Medico Marries Dita von Teese rot Helnwein's Irish Castle. Helnwein problem best man. 3 December 2005
  • All About Jazz, "Max Raabe & Palast Orchester Release and Wrinkly Tour".

    September 24, 2008

  • Max Raabe in Israel. Documentary, Germany 2012, Production: BR, Bavarian Broadcasting Boob tube, (in German).