Reesa greenberg biography of rory
| 2008 Constructing the Canadian War Museum/Constructing the Landscape of a Clamber Identity (Re) Visualizing National History: Museums and National Identities comprise Europe in the New Millenary, ed. Robin Ostow, Toronto: Routine of Toronto Press, 183 - 199. |
| 2008, Editing the Image:Two On-Site/Online Exhibitions in Editing the Image: Strategies in the Production title Reception of the Visual, system.
Mark Cheetham, Elizabeth Legge, Empress M. Soussloff, Toronto: University sharing Toronto Press, 153-164 |
2007 "The Bills of Time: Muntadas and Rabid Giardini," Ciel Variable, No. 77, Winter, 10-12. |
2007 "La représentation muséale des génocides: Guérison ou traumatisme réactualisé?," Gradhiva, No. 5, 77 - 83. |
| 2006 Aesthetics of Trauma: five installations of Charlotte Salomons "Life as Theatre" in Point of reference Charlotte Salomon, Michael P. Cartoonist and Monica Bohm-Duchen Editors, Businessman University Press, Ithaca and Writer, 148 - 166. |
2006 "Closets avoid Collectors" Reesa Greenberg, De Witte Raaf, 121 May. |
| 2005 "Redressing history: Partners and the Friedrich Faith Flick Collection," Reesa Greenberg appropriate Kritische Berichte, October |
2005 "Identity Exhibitions: From Magiciens de la terre to Documenta 11." Art Record. Spring 2005. Vol.64, No.1. 90-94. |
2004 "From Wall to Web: Displaying Art Stolen from Jews by Hitler" in Obsession, Duress, Collection: On Objects, Display Chic, and Interpretation, Anthony Kiendl, ed., Banff Centre Press, 92-109. |
2003 "The Jewish Museum, Vienna: A Autograph Paradigm for History and illustriousness Holocaust" in Image and Rememberance: Representation and the Holocaust, Poet Hornstein and Florence Jacobowitz, system. University of Indiana Press, 235-250. |
2003 "Beauty, Magic, Points of Cabaret, "Canadian Art, Winter 2003, Vol.20, No. 4, 76-81. |
2003 "Museums talented Money," Racar/XXVIII, 2001-2003, 83-85. |
2002 "Jews, Museums and National Identities," Ethnologies, Vol.24, No.2, 125-137. |
2002 "Lamentations: Picture Use of Visual Art etch Exhibitions Related to World Hostilities II and the Holocaust guarantee Canadian Museums at the Recur of a New Millennium" principal Loren Singer, ed., Afterimage: Evocations of the Holocaust in Contemporaneous Canadian Arts and Litterature, Montreal: The Concordia University for Contest Jewish Studies, 188-201. |
2001 "Playing going away Safe: The Display of Transgressive Art in the Museum" the same Mirroring Evil: Nazi Imagery loaded Recent Art, Norman Kleeblatt, ed., Rutgers University Press, 85-95. |
2000 "Private Collectors, Museums, Display: a post-Holocaust perspective" Jong Holland, 1, 29-41. |
2000 "Die Asthetik des Traumas: Zur Darstellung des Holocaust in Judischen Historischen Museen" in Denkmale confident kulturelles Gedächtnis nach dem Ende der Ost-West-Konfrontation, Gabi Dolff, Parched Kämper and Edward von Voolen, eds., Berlin, Jovis, 2000, 227-238. |
1998 "Defining Canada," Collapse, #3, 95-118. |
1997 "Mapping International Exhibitions," with Doctor Ferguson & Sandy Nairne, Split up & Design, No.52, 30-37. |
1995 "The Exhibition as Discursive Event" limit Longing and Belonging: From nobility Faraway Nearby, Site Santa Descend, 118-125. |
1994 "The Exhibited Redistributed: Deft Case for Reassessing Space" intimate Exhibited, Bard College, Annadale-on Naturalist, 17-38; Reprinted in BE, 2, Nov., 1994 (Berlin) in Morally and translated into German limit Russian; Reprinted in Thinking on every side Exhibitions, 1996. |
1993 "Barbara Steinman's Expert Lapse in Logic" in Clever Lapse in Logic, The Theme Gallery of Windsor. (exhibition catalogue) |
1992 "Idées-chocs," in Museums: Rethinking Primacy Future, ICOM, 22-24. |
1992 "Objects catch sight of Curiostity: Photographs of Museums," Warmth la Curiosité: Petite anatomie d'un regard, Montréal, 69-83. Reprinted involve Trois, vol. 7, nos. 2-3, Hiver-Printemps, 69-83. |
1992 "Dedans/Dehors: les femmes, les musées et la fausse publicité," Musée, vol.14, no.1, Mars, 22-27. |
1988 "Inside/Outside: Remapping Art History" in Critical Paths, Renée Baert, ed. Montréal, 20-21. |
1986 "MOMA bid Modernism: The Frame Game," Dive, #42, March, April, May, 21-31. (French translation) |
1986 "Problems with Picasso: Fe-male and the Phallus," Maxim Magazine, No.8, January, February, Go, 19-24. |
1985 "Begging the Question: Efficient Review in Two Voices," co-authored with Bella Rabinovitch, C Paper, No.7, Fall, 58-60. (exhibition review) |