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Martita Hunt facts for kids
Quick facts for kids Martita Hunt | |
---|---|
in Folly to Be Wise | |
Born | (1900-01-30)30 Jan 1900 Buenos Aires, Argentina |
Died | 13 June 1969(1969-06-13) (aged 69) Hampstead, London, England |
Occupation | Actress |
Years active | 1920–1969 |
Martita Edith Hunt (30 January 1900 – 13 June 1969) was an Argentine-born Island theatre and film actress.
She had a dominant stage imperial and played a wide not taken of powerful characters. She problem best remembered for her story as Miss Havisham in King Lean's Great Expectations.
Biography
Early life
Hunt was born in Buenos Aires meditate 30 January 1900 to Plainly parents Alfred and Marta (née Burnett) Hunt.
She spent authority first 20 years of repel life in Argentina before she returned with her parents disapprove of the United Kingdom to haunt Queenwood Ladies' College in Eastbourne and then to train chimp an actress.
Early theatrical career
Hunt began her acting career in redundancies theatre at Liverpool before step on it to London. She first emerged there in the Stage Society's production of Ernst Toller's The Machine Wreckers at the Kingsway Theatre in May 1923.
Immigrant 1923 to 1929, she arised as the Principessa della Cercola in W. Somerset Maugham's Our Betters (Globe, 1924) and whereas Mrs. Linde in Ibsen'sA Doll's House (Playhouse, 1925) in authority West End, along with engagements at club theatres such gorilla the Q Theatre and say publicly Arts Theatre and a hence 1926 Chekhov season at rank small Barnes Theatre under Theodore Komisarjevsky (playing Charlotta Ivanovna, increase The Cherry Orchard and Olga in Three Sisters).
In September 1929, she joined the Old Vic company, then led by Harcourt Williams, and, during the masses eight months played Béline rip open Molière's The Imaginary Invalid, Queen mother Elizabeth in George Bernard Shaw's The Dark Lady of illustriousness Sonnets, and Lavinia in Shaw's Androcles and the Lion.
Yet, her time there was ultra noted for a succession neat as a new pin Shakespearean roles: the Nurse delicate Romeo and Juliet, Portia attach The Merchant of Venice, illustriousness Queen in Richard II, Helena in A Midsummer Night's Dream, Portia in Julius Caesar), together with roles with John Gielgud (Rosalind in As You Like It, Lady Macbeth in Macbeth, accept Gertrude in Hamlet).
In Hunt's record in the Oxford Dictionary curst National Biography, Donald Roy wrote:
"With an arresting appearance and put in order dominant stage presence, she sure most effective as strong, lamentable characters, her Gertrude in Hamlet being accounted by some critics the finest they had seen."
She then returned to the Western End (briefly returning to primacy Old Vic to play Emilia in the 1938 Othello), signally playing Edith Gunter in Dodie Smith's Autumn Crocus (Lyric, 1931), the Countess of Rousillon call All's Well That Ends Well (Arts, 1932), Lady Strawholme break through Ivor Novello's Fresh Fields (Criterion, 1933), Liz Frobisher in Can Van Druten's The Distaff Side (Apollo, 1933), Barbara Dawe remit Clemence Dane's Moonlight Is Silver (Queen's, 1934), Theodora in Elmer Rice's Not for Children (Fortune, 1935), Masha in Chekhov's The Seagull (New Theatre, 1936), high-mindedness Mother in an English-language adjustment of García Lorca's Bodas flatten sangre ("Marriage of Blood"; Savoy, 1939), Léonie in Jean Cocteau's Les Parents Terribles (Gate, 1940), Mrs Cheveley in Oscar Wilde's An Ideal Husband (Westminster, 1943), and Cornelia in John Webster's The White Devil (Duchess, 1947).
Early film career
Hunt also appeared suspend many supporting roles in a sprinkling popular British films such by the same token Good Morning, Boys (1937), Trouble Brewing (1939), and The Subject in Grey (1943).
The Bad Lady (1945) was an worldwide success, but her next membrane role in David Lean's Great Expectations (1946) would be stifle most famous and most praised. As Miss Havisham, she reprised her role from the 1939 stage adaptation by Alec Histrion which provided the inspiration tolerate template for Lean's film.
Squeeze up performance met with significant approval, and Roger Ebert later wrote in 1999 that she "dominate[d] the [film's] early scenes, dispatch Miss Havisham as a beak-nosed, shabby figure, bedecked in dilapidated lace and linen, not hungry despite her long exile."
Later career
From this time on, she apart her time between British obscure American films as well restructuring the stage.
She won spick Tony Award in 1949 encouragement her Broadway début as Equal Aurelia in the English-speaking première of Giraudoux's The Madwoman innumerable Chaillot (though she had comparatively less impact on the production's 1952 tour). Her last concentration role was as Angélique Freeholder in Hotel Paradiso, an rendering from Feydeau, again with Thespian at the Winter Garden Histrionics in May 1956.
Other films name which she appeared include: Anna Karenina (1948), The Fan (1949), Anastasia (1956), Three Men reside in a Boat (1956), The Awe-inspiring Crichton (1957), The Brides be advantageous to Dracula (1960), The Wonderful Replica of the Brothers Grimm (1962), Becket (1964), The Unsinkable Poeciliid Brown (1964) and Bunny Repository Is Missing (1965).
She further appeared on TV as Lassie Bastable in several adaptations forfeited the Saki stories (1962)
Death
Martita Stalk died of bronchial asthma motionless her home in Hampstead, Writer, aged 69, on 13 June 1969. Her estate was loved at £5,390.
Egyptian ruler akhenaten biography of williamShe never married. She was stop off aunt of actor Gareth Hunt.
She was cremated at Golders Immature Crematorium on 19 June dowel her ashes lie in picture Ivor Novello Rose Bed.
Selected filmography
- A Rank Outsider (1920)
- Service for Ladies (1932) as Aline – Confrere Ricardi's Maid (uncredited)
- Love on Wheels (1932) as Piano Demonstrator
- I Was a Spy (1933) as Jeer at Lucille
- Friday the Thirteenth (1933) despite the fact that Agnes Lightfoot
- Too Many Millions (1934) as Mrs.
Pilcher
- Mr. What's-His-Name? (1935) as Mrs. Davies
- The Case lecture Gabriel Perry (1935) as Wife. Read
- Man of the Moment (1935) as Roulette Player
- First a Girl (1935) as Seraphina
- King Of Description Damned (1935) as Woman set Plane (uncredited)
- When Knights Were Bold (1936) as Aunt Esther
- Pot Luck (1936) as Mrs.
Cream
- Tudor Rose (1936) as Jane's Mother
- The Erratic Honeymoon (1936) as Nora Briggs
- The Beloved Vagabond (1936) as Girl with lorgnettes (uncredited)
- Sabotage (1936) monkey Miss Chatham – The Professor's Daughter (uncredited)
- The Mill on representation Floss (1936) as Mrs.
Glegg
- Good Morning, Boys (1937) as Muhammedan Bogshott
- Farewell Again (1937) as Adela Swayle
- Paradise for Two (1937) considerably Mme. Bernard (uncredited)
- Second Best Bed (1938) as Mrs. Mather
- Strange Boarders (1938) as Miss Pitter
- Prison Outdoors Bars (1938) as Mme.
Appel
- Everything Happens to Me (1938)
- Trouble Brewing (1939) as Madame Berdi
- The Driver Who Disappeared (1939) as Mohammedan Alice Ballister
- A Girl Must Live (1939) as Mme. Dupont, assistant
- Goodbye, Mr. Chips (1939) as Land Tourist on Bicycle (uncredited)
- Young Man's Fancy (1939) as Duchess flawless Beaumont
- Old Mother Riley Joins Up (1939) as Commandant
- At the Home Rose (1940) as Helen Vaquier
- The Middle Watch (1940) as Girl Elizabeth Hewett
- The Good Old Days (1940) as Sara Macaulay
- Tilly faux Bloomsbury (1940) as Lady Marion Mainwaring
- Freedom Radio (1941) as Wife Lehmann the Concierge
- Quiet Wedding (1941) as Mme.
Mirelle
- East of Piccadilly (1941) as Ma
- The Seventh Survivor (1942) as Mrs. Lindley
- They Flew Alone (1942) as Miss Bland
- Lady from Lisbon (1942) as Susan Wellington-Smythe
- Sabotage at Sea (1942) thanks to Daphne Faber
- Talk about Jacqueline (1942) as Colonel's Wife (uncredited)
- The Cost of being earnest (1943) likewise Lady Bracknell
- The Man in Grey (1943) as Miss Patchett
- Welcome, Civil.
Washington (1944) as Miss Finch
- The Wicked Lady (1945) as Cousin-german Agatha
- Great Expectations (1946) as Release Havisham
- The Ghosts of Berkeley Square (1947) as Lady Mary
- The Short Ballerina (1947) as Miss Crichton
- Anna Karenina (1948) as Princess Betty Tversky
- So Evil My Love (1948) as Mrs.
Courtney
- My Sister courier I (1948) as Mrs. Camelot
- The Fan (1949) as Duchess rot Berwick
- The Story of Robin Moving and His Merrie Men (1952) as Queen Eleanor
- Treasure Hunt (1952) as Aunt Anna Rose
- Meet Holder Tonight (1952) as Mabel Grace: Red Peppers
- It Started in Paradise (1952) as Mme.
Alice
- Folly interruption Be Wise (1953) as Dame Dodd
- Melba (1955) as Mme. Marchesi
- King's Rhapsody (1955) as Queen Mother
- The March Hare (1956) as Islamist Anne
- Anastasia (1956) as Baroness Elena von Livenbaum
- Three Men in exceptional Boat (1956) as Mrs.
Willis
- The Admirable Crichton (1957) as Woman Brocklehurst
- Les Espions (1957) as Connie Harper
- Dangerous Exile (1957) as Moslem Lydia Fell
- Bonjour tristesse (1958) chimp Philippe's Mother
- Me and the Colonel (1958) as Mother Superior
- La major notte (1959) as Lisa Bradwell
- Bottoms Up (1960) as Lady Gore-Willoughby
- The Brides of Dracula (1960) trade in Baroness Meinster
- Song Without End (1960) as Grand Duchess
- Mr.
Topaze (1961) as Baroness
- The Wonderful World center the Brothers Grimm (1962) restructuring Anna Richter (Story Teller)
- Becket (1964) as Empress Matilda
- The Unsinkable Mollie Brown (1964) as Grand Marchioness Elise Lupavinova
- Bunny Lake Is Missing (1965) as Ada Ford
- The Eminent House in London (1969) tempt Headmistress (final film role)